Fantastic Fiction: Elric of Melniboné: Tortured Elf Emperor with a Cursed Sword

What is the longest running SFF series written by a single author?

Cover of the 1965 edition of Stormbringer, with black and white art of Elric wearing a helmet sculpted to look like a dragon.If you answered “Elric of Melniboné” by Michael Moorcock, congratulations, you’re right. Spanning a whopping 62 years from the first Elric story, The Dreaming City, in 1961 to the last story to date, The Folk of the Forest (2023), no other series written by a single author has run longer.

But who is Elric of Melniboné, and what makes him so special? He is the 428th (and—as it turns out—final) emperor of the island nation of Melniboné, though it’s not a job he particularly wants. The Melnibonèans are inhumanly beautiful and have pointed ears but are also cruel and callous beings without empathy. In short, they’re elves by another name. Their civilization is ancient and decadent, and most of Melniboné has reverted to wilderness except for the capital city of Imryr.

Cover of the 1976 edition of Elric of Melniboné, with cover art by Michael Whelan of Elric holding Stormbringer over his head as his long white hair blows in the wind.Elric is different from the rest of his people, both physically and mentally. Moorcock describes him as an albino with “milk-white hair, flesh the colour of bleached bones, and slanted eyes, crimson and moody.” Elric is sickly and weak, dependent on both drugs and dark sorcery to stay alive and strong. But unlike the other Melnibonéans, Elric has a conscience and empathy, though he is also introspective and given to brooding. Elric is clear-eyed enough to recognise the sorry state of his fading empire and dislikes Melniboné and its traditions almost as much as his subjects dislike him.

As with any reluctant ruler, there is a rival waiting in the wings: Elric’s villainous cousin Yrkoon, who wants both the throne of Melniboné as well as Elric’s first love, Cymoril (who also happens to be Yrkoon’s sister), for himself. Yrkoon repeatedly tries to kill Elric and eventually drives him into exile. He also kidnaps Cymoril and puts her into a magically induced sleep. Elric’s attempt to free her and regain his throne drives Elric to make a pact with the demon Arioch, Lord of Chaos. This pact leads Elric to a cave where he finds the magical blade Stormbringer, which can cut through almost everything and also grants Elric strength and vitality. However, Stormbringer exacts a steep price from its wielder because the blade feeds on the souls of those it slays and has the uncanny tendency to kill the people Elric cares for—including his beloved Cymoril, his friend Moonglum, and eventually even Elric himself.

Cover of the June 1961 Science Fantasy, with Elric looking like a very fair-haired but otherwise normal medieval warrior.Elric was born out of a conversation between John Carnell, editor of the British magazine Science Fantasy, and the young writer Michael Moorcock, wherein both proclaimed their love for the sort of fantasy adventure stories—soon to be called “sword and sorcery”—that had been published in the pulp magazine Weird Tales some thirty years earlier but were considered hopelessly passé by the early 1960s. Carnell remarked that he would be open to publishing “that Conan stuff,” so Moorcock wrote The Dreaming City, the first Elric story, which appeared in the June 1961 issue of Science Fantasy.

The influences that created Elric are manifold. Robert E. Howard’s Conan the Cimmerian is obviously one, though Elric is very much the antithesis of Conan and much closer to another Robert E. Howard character, the introspective and brooding King Kull, who also has to deal with multiple attempts to usurp his throne. Elric’s appearance was inspired by Monsieur Zenith, the albino antagonist of the long-running British detective franchise Sexton Blake, one of whose adventures Moorcock penned in 1959. Other influences are Mervyn Peake’s Gormenghast trilogy, Poul Anderson’s fantasy novels The Broken Sword and Three Hearts and Three Lions, the Finnish national epic Kalevala, and the works of Bertholt Brecht, particularly The Threepenny Opera. In spite of his myriad influences, Elric is very much a hero for the 1960s counterculture, an angry young man, a born rebel who is disgusted by the satiated establishment of a fading empire, and a drug-user who is fascinated by mysticism and sorcery. Elric would not have been out of place at a beatnik or hippie gathering in the 1960s.

Cover of the April 1964 issue of Science Fantasy with the then-final Elric story; the cover is black text on pink paper.Elric’s adventures were popular from the get-go, and the character appeared in nine novellas and novelettes in Science Fantasy between 1961 and 1964. When Science Fantasy was about to fold in 1964, Michael Moorcock decided to end Elric’s story by having him succumb to his cursed, soul-eating blade Stormbringer.

This might have been the end of the doomed elf lord, but it wasn’t. Since the publication of The Dreaming City in 1961, the sword-and-sorcery genre had undergone a revival that was about to go into overdrive when the US paperback publisher Lancer reprinted Robert E. Howard’s Conan stories to enormous success beginning in 1966. Suddenly “that Conan stuff,” which had been hopelessly passé only five years before, was the hottest trend on the market. And so Michael Moorcock returned to Elric to feed a readership hungry for more sword-and-sorcery tales, writing prequels and filling in gaps between the earlier adventures of Elric chronicled in the pages of Science Fantasy.

The sword-and-sorcery boom eventually faded by the early 1980s, but Michael Moorcock kept returning to Elric again and again, and he also integrated the adventures of the doomed albino elf into his overall multiverse, with Elric becoming one of the incarnations of the Eternal Champion.

At the height of his popularity, Elric also appeared in other media such as comics, music albums, and role-playing games. However, unlike other fantasy heroes, Elric never made the jump onto the big or small screen. Film and TV adaptations were planned, but never came to anything. As a result, Elric is probably less well-known these days than such a long-running character should be.

Matt Smith as Daemon Targaryen in the House of the Dragon show, with long, pale white hair.That said, the influence of Elric can also be seen all over modern fantasy, from Andrzej Sapkowski’s Witcher (Geralt of Rivia) to the pale-skinned, white-haired, and incestuous Targaryens of George R.R. Martin’s A Song of Ice and Fire. Indeed, Matt Smith’s portrayal of Daemon Targaryen in House of the Dragon looks as if he stepped out of the Michael Whelan’s Elric covers.

Have you read Michael Moorcock’s Elric of Melniboné tales? Have you played a roleplaying game inspired by the character or maybe cosplayed as Elric? Let’s continue the conversation in Seattle.

9 thoughts on “Fantastic Fiction: Elric of Melniboné: Tortured Elf Emperor with a Cursed Sword”

  1. Hi Cora. I loved your well deserved tribute to that tortured, albino ex-Emperor Elric. I had read his appearances before that, but I still remember how exciting it was when he showed up in a cross-over in 1972 in Conan The Barbian 14 and 15, with Moorcock as co-writer and art by Barry Windsor Smith.

    • Thanks for the comment, Dave. Glad you enjoyed the article.

      Part of what made the Conan comics so fun was that comic Conan could cross over with other sword and sorcery heroes (and Marvel characters in general) in a way these characters couldn’t in the books.

  2. Hi Cora!! Great article! I was searching around for a definitive answer to the question:Does Elric really have pointy ears or not?
    The debate rages on. Every painting I could find avoids showing his ears because of his long flowing locks, or helmet on his head, etc— except one: my revised art for the DAW edition of WEIRD OF THE WHITE WOLF. But I’ve been told many times that I was in error there…so I’ve been searching for the answer. (Too late to change it now though— that painting was done back in the 70s!)
    Anyway, it was great to read your history of the Sword and Sorcery genre and Michael Moorcock’s wonderful contributions to it. I’ve long been a fan, but I learned much here, so thanks!

    • Thanks for the comment. I’m glad you enjoyed my article, especially since your depiction of Elric is the definitive image of the character for many of us.

      Unfortunately, I don’t know if Elric has pointed ears or not either. I don’t recall that his ears have ever been described anywhere and since he has long hair, they’re usually covered up anyway. I guess only Michael Moorcock knows for sure.

  3. Elric’s ears are not pointed but like his eyes are slightly slanted. I wrote the first stories long before Tolkien-based games developed a template. I had not read LOTR and my main influences were Conan and Anderson as well as Norse mythology. I felt that s&s (I called it epic or heroic fantasy) lacked the tragic quality of real mythic stories and that’s what I wanted to add — thus STORMBRINGER and other books. Since then I have focussed mainly on creating and discovering 20th and 21st century myths. Thanks for your piece which I enjoyed.

    • Thank you for your comment and of course for creating Elric, Corum, Dorian Hawkmoon, Jerry Cornelius and all the others. I’m glad you enjoyed my article. BTW, we shared a TOC two years ago, because “The Folk of the Forest” appeared in New Edge Sword and Sorcery No. 1 along with a profile of Cele Goldsmith Lalli that I wrote.

      Also thank you for settling once and for all what Elric’s ears look like.

  4. Hi Cora, looking forward to more of this discussion in Seattle! Ive been a Elric fan since my teens in the 1980’s, then moving onto Moorcocks other series and stand alone novels (I have a first edition of Behold the Man). The idea of a multiverse led me into reading science fiction, but it all starts and ends with Elric.

    • Unfortunately, I won’t be able to attend in person, but I do hope to continue the discussion.

      I also discovered Michael Moorcock’s work as a teen in the 1980s, though I found Jerry Cornelius before I found Elric, which in retrospect wasn’t the best starting point.

      And yes, it’s often forgotten that the Multiverse, a concept everybody and their sister is using these days and that has entered the mainstream, was developed by Michael Moorcock.

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